Roger Scruton believes that the "Vernacular Classical Idiom" is a proven idea for fitting in. Me too. We're about to have this demonstrated on La France Street in Edgewood. We'll talk about it next year.
We whine about McMansions every single day, those spreadsheet designed houses that don't fit in, certainly works of the devil. We're building these in every hot neighborhood from Kirkwood to Tuxedo Park.
"Regarding the ordinary buildings that have sprung up...which seem designed not to fit in but to stand out."
"We build in order to dwell among neighbors and to dwell is to live among neighbors who have as great in interest in how we build as we do. A town is a home where strangers settle side by side and enjoy a shared sense of belonging. Its streets are public spaces, the facades of its buildings stand in a personal relation to all that pass them by."
"Genius is as rare among architects as it is among the rest of us. Most buildings will be the creation of talent-less people who are simply doing a job like you and me. The less they try to be original and expressive the better. To pretend to these (genius) qualities in their absence is to jettison the three most important social virtues: Modestly, humility, and to act as if others are more important than yourself.
"Most of our beautiful towns were not the work of architects but of modest builders working with materials they understood and on a scale that does not challenge our perceptions."
"Buildings should fit together in a public space that it accessible and friendly to all of us. This is most easly achieved if there is a shared repertoire of details. Materials that blend and do not come apart visually at the joints and proportions that can be emulated by each new addition to the towns-cape."
Deep reveals. Too expensive these days for anything but an estate house.
I'd been stalking the McGruder Street Church of God in Christ (1940) for about a decade. It's a little landmark. Here's the deal:
"Most landmarks and focal points in cities - of which we need more, not
fewer - come from the contrast of use radically different from its
surroundings, and therefore inherently special-looking, happily located
to make some drama and contrast of the inherent difference ... noble
buildings ... set within the matrix of the city, instead being sorted
out and withdrawn into 'courts of honor'"- Page 228, ”The Death and Life of Great American Cities” - Jane Jacobs, Vintage Books Edition 1991
Finally in 2011 I spotted someone entering. I slammed on the brakes and ran after them. This "slam on the brakes and run after them" is NOT always the best method for this sort of thing. But it worked this time.
I learned that zoning and building codes prevented the owners from converting it into a place to live.
Parking was the prime issue. I'm paraphrasing: To make it a place to live they had to add off-street parking. There's just not room. (And that's not all.) So it sat empty and unused.
I won't bore you with the details because I don't understand them. Let's just say, what they couldn't do then they can do now.
But that's not what I'm here to blog about.
Last night I ran into Shana Robbins. Her family was connected to this place.
It reminded me that they built a new house across the street that featured views of the church.
Here's the view from the first floor.
Here's the view from the second floor. Bravo: designing to take advantage of two Old Fourth Ward landmarks.